of new models of sociability and communication situations, an
interest for socially engaged themes, confrontation with different
audiences, and collaboration on collective projects characterize
Kuluncic's artistic practice. She sets up her own interdisciplinary
networks, seeing artistic work as a process of cooperation (co-creation)
and self-organization, often asking the audience actively to participate
and "finish" the work.
understood as research, by which research results are no longer
primary, but are rather one of the integral components, the background
on which artistic production unfolds. The interdisciplinary in
which specific artistic skills are complemented by complementary
skills from other areas is an important element of Andreja Kuluncic's
artistic practice, whose works are almost regularly created in
collaboration with sociologists, philosophers, scientists, designers,
or marketing experts.
in the marginal areas of opposition and focusing her critique
on the central values of imaginary institutions of globalizing
societies and divisions conditioned by them, her artistic production
suggests the capability of art to offer polemical grounds for
the rethinking and dissolution of certain institutional forms
and the creation of new ones.
Kuluncic has been featured in numerous group exhibitions among
others: Documenta11 (Kassel, Germany, 2002), Manifesta4 (Frankfurt/Main, 2002), The American Effect (Whitney
Museum of American Art, New York, 2003), 8th International
Istanbul Biennial (Turkey, 2003), Liverpool Biennial (UK, 2004) etc.
Vukasa 47, 10000 Zagreb, Hrvatska.
Mob.: + 385 98 903 93 29
presentation of the artworks (pdf,
PPT presentation of the
artworks (Power Point, 25MB)
VIDEO interview (youtube)>